Artistic Practice

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My artistic praxis operates at the intersection of performance, cultural organizing, and spiritual inquiry, centering storytelling as a technology for survival, resistance, and transformation.

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Rooted in Afro-Indigenous Caribbean cosmologies and informed by Spiritism and diasporic epistemologies, my work challenges Western notions of authorship, identity, and the singular self. I approach the body as a living archiveone that carries ancestral memory, trauma, and encoded knowledge shaped by migration, colonial violence, and cultural persistence.

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Through interdisciplinary methodologies including ensemble-based theater, ritual practice, oral history, and site-responsive performance—I construct immersive environments where audiences and participants engage in acts of witnessing, remembrance, and reimagination.

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My work is deeply situated within contemporary political realities, particularly those surrounding immigration, cultural criminalization, and systemic inequity in the United States. I am interested in how certain identities, practices, and ways of knowing are rendered illegible or illegal and how performance can serve as a space to surface and legitimize these forms of knowledge.

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Across my projects, I return to the concept of fragmentation and integration: the understanding that the self is composed of multiple voices ancestral, cultural, psychological, and spiritual. My practice creates containers where these voices can be encountered, negotiated, and reassembled.

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Ultimately, my praxis positions art as both process and intervention one that bridges the personal and the collective, the sacred and the civic, the historical and the speculative.